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Collection On View

Rebecca Horn, Black Bath – Two Waves Gently Touching Each Other, 1986, © VG Bild-Kunst, Bonn 2022.. Alex Wissel, Honey is Flowing in all Directions (Rheingold), Ein Vergleich zweier Gesellschaftsformen (Rheingold), Kunst = Kapital (Rheingold), 2018. Foto: Achim Kukulies

Jan Bonny und Alex Wissel, Traumfänger (Rheingold), 2018. Alex Wissel, Honey is Flowing in all Directions (Rheingold), Ein Vergleich zweier Gesellschaftsformen (Rheingold), Kunst = Kapital (Rheingold), 2018. Foto: Achim Kukulies

Michelangelo Pistoletto, Attori e spettatori, 1983/84. Jean Tinguely, Meta-Kandinsky II – Hommage an Kandinsky, 1955, © VG Bild-Kunst, Bonn 2022. Bruce Nauman, Forced Perspective, 1975, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Alexandra Bircken, Janus, 2016; Joseph Beuys, Aggregat, 1962, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Franz West, Abriss, 1995; Monika Baer, Alexandra Bircken, Janus, 2016; Monika Baer, Murals, 2013; Martin Kippenberger, New Age, Goethestadt, Ying und Yang, 1990

Franz West, Abriss,

Anne-Mie van Kerckhoven, I’ll Rob You, 2005, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Anne-Mie van Kerckhoven, I’ll Rob You, 2005, © VG Bild-Kunst, Bonn 2022. Joanne Greenbaum, Untitled, 2008, © VG Bild-Kunst, Bonn 2022. Anne-Mie van Kerckhoven, Interiors Unbounded, 2007, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Expressionism room, Installationview, 2021

Jahresgaben Museumsverein Abteiberg (links) Andreas Siekmann, Emissionsmantel (für Hans Jonas) 2013; Benjamin Katz, Défense d‘entrer, Dinard, 1978/2018, © VG Bild-Kunst, Bonn 2022; (rechts) Jens Ullrich, Vase, 2005; Foto: Achim Kukulies

(rear left) Lucio Fontana, Concetto Spaziale - Attesa, 1959. Acquired in 1967 with support from the State of North Rhine-Westphalia; (rear right) Lucio Fontana, Concetto Spaziale, around 1960. Acquired in 1968, ETZOLD collection. Photo: Achim Kukulies

Lucio Fontana, Concetto Spaziale - Natura, 1959/60. Acquired in 1981 as part of “Kunst am Bau” with funding from the State of North Rhine-Westphalia. Photo: Achim Kukulies

Garden level Arman, Poubelle, 1964, COLLECTION/ARCHIV ANDERSCH, © VG Bild-Kunst, Bonn 2022; Joseph Beuys, Poor House Door – A New Beginning Is in the Offing, 1981, © VG Bild-Kunst, Bonn 2022. Dieter Roth, Painting with Teddybear, 1986-95. Jean Tinguely, Hommage à Duchamp, 1960, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Mike Kelley, Figure/Ground 1990, Donation 2019 Collection Hoffmann; Kurt Schwitters, Painting with Whale, 1924/27; Friedrich Vordemberge-Gildewart, Komposition No. 149, 1945. Foto: Achim Kukulies

Garden level Gerhard von Graevenitz, Moving Objekt, 1971, Collection ETZOLD, © VG Bild-Kunst, Bonn 2022. François Morellet, Steel Sphere, 1962, Collection ETZOLD, © VG Bild-Kunst, Bonn 2022; François Morellet, Tirets 90°, 1960, Peinture, 1956, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

(left) Michael Stevenson, The remains of stairs, 2005/2007. Acquired in 2006; (right) Gordon Matta-Clark, Office Baroque, Antwerp Project, 1977, © VG Bild-Kunst, Bonn 2022. Acquired in 1979 with funding from the State of North Rhine-Westphalia. Photo: Achim Kukulies

Heinz Peter Knes, Die Schwulennummer, 2008; Danh Vō, Ohne Title, 2009

Ulrike Nattermüller, Bidwells Ghost, 1984. Isa Genzken, Roof, 1989, Donation 2019 Collection Hoffmann, © VG Bild-Kunst, Bonn 2022; Palermo, Untiteld („Shears“), 1967, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

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20. April 2020 Von Haris Giannouras

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