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Schaumagazin ANDERSCH COLLECTION/ARCHIVE
Field Test #2: Brecht – Filliou
starting 23 June 2022

7. June 2022 Von Henrike Robert

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STUDIO FOR PROPOSITIONAL CINEMA
The Camera of Disaster
till 25 September 2022

17. January 2022 Von Haris Giannouras

The exhibition “The Camera of Disaster” by Studio for Propositional Cinema positions photography as a medium on the brink of … more >

Rebecca Horn, Black Bath – Two Waves Gently Touching Each Other, 1986, © VG Bild-Kunst, Bonn 2022.. Alex Wissel, Honey is Flowing in all Directions (Rheingold), Ein Vergleich zweier Gesellschaftsformen (Rheingold), Kunst = Kapital (Rheingold), 2018. Foto: Achim Kukulies

Jan Bonny und Alex Wissel, Traumfänger (Rheingold), 2018. Alex Wissel, Honey is Flowing in all Directions (Rheingold), Ein Vergleich zweier Gesellschaftsformen (Rheingold), Kunst = Kapital (Rheingold), 2018. Foto: Achim Kukulies

Michelangelo Pistoletto, Attori e spettatori, 1983/84. Jean Tinguely, Meta-Kandinsky II – Hommage an Kandinsky, 1955, © VG Bild-Kunst, Bonn 2022. Bruce Nauman, Forced Perspective, 1975, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Alexandra Bircken, Janus, 2016; Joseph Beuys, Aggregat, 1962, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Franz West, Abriss, 1995; Monika Baer, Alexandra Bircken, Janus, 2016; Monika Baer, Murals, 2013; Martin Kippenberger, New Age, Goethestadt, Ying und Yang, 1990

Franz West, Abriss,

Anne-Mie van Kerckhoven, I’ll Rob You, 2005, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Anne-Mie van Kerckhoven, I’ll Rob You, 2005, © VG Bild-Kunst, Bonn 2022. Joanne Greenbaum, Untitled, 2008, © VG Bild-Kunst, Bonn 2022. Anne-Mie van Kerckhoven, Interiors Unbounded, 2007, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Expressionism room, Installationview, 2021

Jahresgaben Museumsverein Abteiberg (links) Andreas Siekmann, Emissionsmantel (für Hans Jonas) 2013; Benjamin Katz, Défense d‘entrer, Dinard, 1978/2018, © VG Bild-Kunst, Bonn 2022; (rechts) Jens Ullrich, Vase, 2005; Foto: Achim Kukulies

(rear left) Lucio Fontana, Concetto Spaziale - Attesa, 1959. Acquired in 1967 with support from the State of North Rhine-Westphalia; (rear right) Lucio Fontana, Concetto Spaziale, around 1960. Acquired in 1968, ETZOLD collection. Photo: Achim Kukulies

Lucio Fontana, Concetto Spaziale - Natura, 1959/60. Acquired in 1981 as part of “Kunst am Bau” with funding from the State of North Rhine-Westphalia. Photo: Achim Kukulies

Garden level Arman, Poubelle, 1964, COLLECTION/ARCHIV ANDERSCH, © VG Bild-Kunst, Bonn 2022; Joseph Beuys, Poor House Door – A New Beginning Is in the Offing, 1981, © VG Bild-Kunst, Bonn 2022. Dieter Roth, Painting with Teddybear, 1986-95. Jean Tinguely, Hommage à Duchamp, 1960, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

Mike Kelley, Figure/Ground 1990, Donation 2019 Collection Hoffmann; Kurt Schwitters, Painting with Whale, 1924/27; Friedrich Vordemberge-Gildewart, Komposition No. 149, 1945. Foto: Achim Kukulies

Garden level Gerhard von Graevenitz, Moving Objekt, 1971, Collection ETZOLD, © VG Bild-Kunst, Bonn 2022. François Morellet, Steel Sphere, 1962, Collection ETZOLD, © VG Bild-Kunst, Bonn 2022; François Morellet, Tirets 90°, 1960, Peinture, 1956, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

(left) Michael Stevenson, The remains of stairs, 2005/2007. Acquired in 2006; (right) Gordon Matta-Clark, Office Baroque, Antwerp Project, 1977, © VG Bild-Kunst, Bonn 2022. Acquired in 1979 with funding from the State of North Rhine-Westphalia. Photo: Achim Kukulies

Heinz Peter Knes, Die Schwulennummer, 2008; Danh Vō, Ohne Title, 2009

Ulrike Nattermüller, Bidwells Ghost, 1984. Isa Genzken, Roof, 1989, Donation 2019 Collection Hoffmann, © VG Bild-Kunst, Bonn 2022; Palermo, Untiteld („Shears“), 1967, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies

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Collection On View

20. April 2020 Von Haris Giannouras