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Museum Abteiberg

Autorin: Haris Giannouras

Startseite | Current | Exhibitions

STUDIO FOR PROPOSITIONAL CINEMA
The Camera of Disaster

3 April – 25 September 2022

17. January 2022 Von Haris Giannouras

Opening: Sunday, April 3, 12 pm  The forthcoming exhibition “The Camera of Disaster” by Studio for Propositional Cinema positions photography … more >

New Acquisitions | Collection

New Acquisitions

11. January 2022 Von Haris Giannouras

Jamie CrewePastoral Drama 2018 (film still) color, 30:00 min, loop; Courtesy of the artistAcquired 2021; Donation Outset Germany_Switzerland  Beatrice GibsonI … more >

2021 | Retrospective | Preview

2021 ANDREA BÜTTNER, JAMIE CREWE, BEATRICE GIBSON ONYEKA IGWE, LIN+LAM, RACHEL O’REILLY

25. November 2021 Von Haris Giannouras

… more >

2021 | Startseite | Retrospective

WORKSHOP REPORT
ANDERSCH COLLECTION/ARCHIVE (BEUYS)
until April 2022

24. November 2021 Von Haris Giannouras

… more >

Retrospective | Uncategorized

ONLINE DISCUSSION Ghislaine Leung

8. November 2021 Von Haris Giannouras

Onions, Ghislaine Leung 2021; Courtesy die Künstlerin und MAXWELL GRAHAM / ESSEX STREET New York; Fotos: Achim Kukulies Susanne Titz … more >

Retrospective

2021/10 BOX CATALOG PRESENTATION Ghislaine Leung

24. September 2021 Von Haris Giannouras

PORTRAITS, Ghislaine Leung 2021; Courtesy die Künstlerin und MAXWELL GRAHAM / ESSEX STREET New York; Fotos: Achim Kukulies Ghislaine Leung … more >

Uncategorized

ROUND TABLE
with Bruce Hainley, Fatima Hellberg & Susanne Titz
moderated by Haris Giannouras

6. September 2021 Von Haris Giannouras

In conversation with Bruce Hainley and Fatima Hellberg, Susanne Titz and Haris Giannouras discuss Ghislaine Leung’s exhibition at Museum Abteiberg. Bruce Hainley is a … more >

Uncategorized

Lin & Lam
Three Missing Letters (2020)

3. March 2021 Von Haris Giannouras

Lin + Lam, a New York based duo consisting of artists and researchers Lana Lin und H. Lan Thao Lam, … more >

Uncategorized

Rachel O’Reilly
INFRACTIONS (2019)

3. March 2021 Von Haris Giannouras

INFRACTIONS is an artistic documentary in dialogue with Indigenous cultural workers in the north of Australia resisting a shale gas (fracking) frontier. … more >

Uncategorized

Onyeka Igwe
A So-Called Archive (2020)

3. March 2021 Von Haris Giannouras

Onyeka Igwe lives and works in London. Her works often incorporate video, sound, dance and voice-over narrations. A So-Called Archive consists of … more >

2021 | Retrospective | Exhibitions

2021 HIWA K

24. November 2020 Von Haris Giannouras

… more >

2020 - 16 | Retrospective | Exhibitions

2020 EVELYN TAOCHENG WANG

22. August 2020 Von Haris Giannouras

… more >

2020 - 16 | Retrospective

2020 HANS HAACKE

20. June 2020 Von Haris Giannouras

… more >

Uncategorized | Uncategorized | Uncategorized | Uncategorized

ANDREA BOWERS
slide show

24. April 2020 Von Haris Giannouras

ANDREA BOWERS
texts

21. April 2020 Von Haris Giannouras

Political Ribbons for Abteiberg,2020 This piece was first made for an exhibition at the Hammer Museum in 2017. The shared … more >

Uncategorized

New Acquisitions

21. April 2020 Von Haris Giannouras

Steve McQueen Charlotte 2004 (film still) 16mm color-film, 5:42 min, loop, Courtesy of the artist and Marian Goodman GalleryAcquired in … more >

Rebecca Horn, Black Bath – Two Waves Gently Touching Each Other, 1986, © VG Bild-Kunst, Bonn 2022.. Alex Wissel, Honey is Flowing in all Directions (Rheingold), Ein Vergleich zweier Gesellschaftsformen (Rheingold), Kunst = Kapital (Rheingold), 2018. Foto: Achim Kukulies
Jan Bonny und Alex Wissel, Traumfänger (Rheingold), 2018. Alex Wissel, Honey is Flowing in all Directions (Rheingold), Ein Vergleich zweier Gesellschaftsformen (Rheingold), Kunst = Kapital (Rheingold), 2018. Foto: Achim Kukulies
Michelangelo Pistoletto, Attori e spettatori, 1983/84. Jean Tinguely, Meta-Kandinsky II – Hommage an Kandinsky, 1955, © VG Bild-Kunst, Bonn 2022. Bruce Nauman, Forced Perspective, 1975, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
Alexandra Bircken, Janus, 2016; Joseph Beuys, Aggregat, 1962, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
Franz West, Abriss, 1995; Monika Baer, Alexandra Bircken, Janus, 2016; Monika Baer, Murals, 2013; Martin Kippenberger, New Age, Goethestadt, Ying und Yang, 1990
Franz West, Abriss,
Anne-Mie van Kerckhoven, I’ll Rob You, 2005, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
Anne-Mie van Kerckhoven, I’ll Rob You, 2005, © VG Bild-Kunst, Bonn 2022. Joanne Greenbaum, Untitled, 2008, © VG Bild-Kunst, Bonn 2022. Anne-Mie van Kerckhoven, Interiors Unbounded, 2007, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
Expressionism room, Installationview, 2021
Jahresgaben Museumsverein Abteiberg (links) Andreas Siekmann, Emissionsmantel (für Hans Jonas) 2013; Benjamin Katz, Défense d‘entrer, Dinard, 1978/2018, © VG Bild-Kunst, Bonn 2022; (rechts) Jens Ullrich, Vase, 2005; Foto: Achim Kukulies
(rear left) Lucio Fontana, Concetto Spaziale - Attesa, 1959. Acquired in 1967 with support from the State of North Rhine-Westphalia; (rear right) Lucio Fontana, Concetto Spaziale, around 1960. Acquired in 1968, ETZOLD collection. Photo: Achim Kukulies
Lucio Fontana, Concetto Spaziale - Natura, 1959/60. Acquired in 1981 as part of “Kunst am Bau” with funding from the State of North Rhine-Westphalia. Photo: Achim Kukulies
Garden level Arman, Poubelle, 1964, COLLECTION/ARCHIV ANDERSCH, © VG Bild-Kunst, Bonn 2022; Joseph Beuys, Poor House Door – A New Beginning Is in the Offing, 1981, © VG Bild-Kunst, Bonn 2022. Dieter Roth, Painting with Teddybear, 1986-95. Jean Tinguely, Hommage à Duchamp, 1960, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
Mike Kelley, Figure/Ground 1990, Donation 2019 Collection Hoffmann; Kurt Schwitters, Painting with Whale, 1924/27; Friedrich Vordemberge-Gildewart, Komposition No. 149, 1945. Foto: Achim Kukulies
Garden level Gerhard von Graevenitz, Moving Objekt, 1971, Collection ETZOLD, © VG Bild-Kunst, Bonn 2022. François Morellet, Steel Sphere, 1962, Collection ETZOLD, © VG Bild-Kunst, Bonn 2022; François Morellet, Tirets 90°, 1960, Peinture, 1956, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
(left) Michael Stevenson, The remains of stairs, 2005/2007. Acquired in 2006; (right) Gordon Matta-Clark, Office Baroque, Antwerp Project, 1977, © VG Bild-Kunst, Bonn 2022. Acquired in 1979 with funding from the State of North Rhine-Westphalia. Photo: Achim Kukulies
Heinz Peter Knes, Die Schwulennummer, 2008; Danh Vō, Ohne Title, 2009
Ulrike Nattermüller, Bidwells Ghost, 1984. Isa Genzken, Roof, 1989, Donation 2019 Collection Hoffmann, © VG Bild-Kunst, Bonn 2022; Palermo, Untiteld („Shears“), 1967, © VG Bild-Kunst, Bonn 2022. Foto: Achim Kukulies
Startseite

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20. April 2020 Von Haris Giannouras

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20. April 2020 Von Haris Giannouras
Uncategorized

20. April 2020 Von Haris Giannouras

ANDREA BOWERS grief and hope slide show Andrea Bowers has been recording social activists in her artistic work for over … more >

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© 2022 Museum Abteiberg

  • Exhibitions
    • Current
    • Preview
    • Retrospective
      • 2021
      • 2020 – 16
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      • 2010 – 06
      • 2005 – 01
      • 2000 – 94
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